January 16, 2025
Let's talk about Yasuke. No, not the Netflix anime—though that's a thing too. We're talking about the real Yasuke, the historical Black samurai who served Oda Nobunaga in 16th-century Japan. And we're talking about the absolute firestorm that erupted when Ubisoft announced that Assassin's Creed Shadows would feature him as a playable character.
The internet, being the internet, immediately divided into camps. Some celebrated the inclusion of a historically accurate but underrepresented figure. Others... well, let's just say they had opinions. Strong opinions. About historical accuracy, cultural representation, and whether a video game company has any business making these choices.
Here's the thing: Yasuke was real. He existed. He served Oda Nobunaga. The historical record, while not extensive, is clear on this point. So why did his inclusion in a video game cause such controversy? And what does this tell us about how we consume and debate history in the digital age? Learn more about famous samurai warriors and the British Museum's samurai exhibition.
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Before we dive into the controversy, let's establish the facts. Yasuke was an African man who arrived in Japan in 1579, likely from Mozambique or another part of East Africa. He came as part of a Jesuit mission, but his story took a turn when he caught the attention of Oda Nobunaga, one of Japan's most powerful daimyo and a key figure in the country's unification.
Nobunaga was fascinated by Yasuke—partly because of his physical appearance (tall, dark-skinned, which was unusual in 16th-century Japan), and partly because of his strength and presence. According to historical accounts, Nobunaga initially thought Yasuke's skin was painted with ink. When he discovered it was natural, he was intrigued enough to take Yasuke into his service.
Yasuke became a samurai—or at least, something very close to it. He was given a katana, a residence, and a position in Nobunaga's retinue. He was present during some of the most significant events of Nobunaga's later years, including the Honno-ji Incident in 1582, where Nobunaga was betrayed and forced to commit seppuku.
After Nobunaga's death, Yasuke's fate becomes less clear. Some accounts suggest he was captured and returned to the Jesuits. Others indicate he may have continued serving under one of Nobunaga's successors. The historical record is fragmentary, which is part of why his story is so fascinating—and so open to interpretation.
When Ubisoft announced Assassin's Creed Shadows in 2024, featuring Yasuke as one of two playable protagonists (alongside a Japanese shinobi named Naoe), the reaction was... intense. Social media platforms lit up with debates about historical accuracy, cultural representation, and whether a French video game company should be telling this story.
The criticism came from multiple angles. Some argued that Yasuke's role was being exaggerated—that he was more of a curiosity than a true samurai. Others claimed that featuring a Black character in feudal Japan was "woke" pandering, ignoring the fact that Yasuke was, you know, actually there. Still others raised legitimate concerns about cultural appropriation and whether Western developers should be telling Japanese historical stories.
The defense was equally passionate. Supporters pointed out that Yasuke was a real historical figure, that his inclusion was actually more historically accurate than excluding him would have been, and that representation matters—especially for Black gamers who rarely see themselves in historical settings.
Here's where it gets complicated. The historical record on Yasuke is limited. We know he existed. We know he served Nobunaga. We know he was present at significant events. But the details of his life, his exact status, and his role are less clear.
Some historians argue that Yasuke was more of a retainer or bodyguard than a true samurai in the traditional sense. The samurai class was hereditary and tied to specific social structures. Yasuke, as a foreigner, wouldn't have fit neatly into these structures. But Nobunaga was known for breaking with tradition, and he clearly valued Yasuke enough to give him a katana and a position of some importance.
The truth is probably somewhere in between. Yasuke was likely a samurai in function if not in strict social classification. He served a daimyo, carried a sword, and participated in the military culture of the time. Whether he was "officially" a samurai depends on how strictly you define the term—and definitions varied even in the 16th century.
This is where the controversy gets really interesting—and really messy. The question isn't just about historical accuracy. It's about who has the right to tell historical stories, especially stories from cultures that aren't their own.
Ubisoft is a French company making a game about Japanese history. They're including a Black character who was historically present but whose story has been largely overlooked. Is this cultural appropriation? Is it cultural appreciation? Is it just... making a video game?
The answer depends on your perspective. Critics argue that Western developers shouldn't be the primary storytellers for Japanese history, especially when they're making creative choices about how to present it. Supporters counter that Yasuke's story deserves to be told, and if Japanese developers aren't telling it, someone should.
The reality is probably more nuanced. Video games are a global medium, and historical stories have been told across cultural boundaries for centuries. But there's a difference between respectful representation and exploitation, and the line isn't always clear.
Let's address the elephant in the room: some of the criticism was explicitly about "wokeness" and "political correctness." Critics claimed that Ubisoft was including Yasuke not for historical reasons, but to score diversity points.
This is... complicated. On one hand, yes, representation matters. Including diverse characters in media is important, especially when those characters are historically accurate. On the other hand, reducing Yasuke's inclusion to "wokeness" ignores the fact that he was actually there. He's not a fictional character created for diversity—he's a real person whose story has been overlooked.
The irony is that by including Yasuke, Ubisoft is actually being more historically accurate than if they'd excluded him. The "woke" accusation falls apart when you realize that the alternative—pretending he didn't exist—would be less accurate, not more.
The Yasuke controversy reveals something important about how we consume historical media: we want it to be both entertaining and accurate, but we have different standards for what "accurate" means. Some people want strict adherence to documented facts. Others are okay with creative interpretation as long as the spirit is right.
Video games, by their nature, require some creative license. You can't make an engaging game by strictly following historical records—there's too much we don't know, too many gaps to fill. But where do you draw the line? How much creative license is acceptable?
The answer probably depends on the medium and the intent. A documentary has different standards than a video game. A historical novel has different standards than an academic paper. Assassin's Creed has always been a series that blends history with fiction—it's in the name, for crying out loud. The "assassins" aren't strictly historical either.
This isn't just about Yasuke or Assassin's Creed. It's part of a larger conversation about representation in historical media. Who gets to be the hero? Whose stories get told? Whose stories get overlooked?
Historically, media has focused on certain perspectives—usually white, usually male, usually from dominant cultures. When media tries to include other perspectives, it often faces backlash. The Yasuke controversy is just one example of this pattern.
But here's the thing: history is more diverse than we often acknowledge. People of different races, ethnicities, and backgrounds have been present in historical events throughout history. Including them isn't "revisionist history"—it's acknowledging what was already there.
Yasuke was in Japan. He served Nobunaga. He was there. Excluding him from historical narratives isn't more accurate—it's less accurate. It's erasing a real person from history because his presence doesn't fit our expectations.
So, what's the answer? Should Assassin's Creed Shadows feature Yasuke? The short answer is: yes, probably. He was there. He's historically accurate. His story deserves to be told.
But the longer answer is more complicated. How Ubisoft handles his story matters. Do they treat him with respect? Do they acknowledge the complexity of his position? Do they avoid reducing him to a token character? These are the questions that matter, not whether he should be included at all.
The controversy, in many ways, misses the point. The question isn't whether Yasuke should be in the game—he was there, so why wouldn't he be? The question is whether the game will do justice to his story and to the broader historical context.
The Yasuke controversy matters not just because of a video game, but because of what it reveals about how we think about history, representation, and cultural storytelling. It shows us the tensions between accuracy and entertainment, between representation and appropriation, between different perspectives on the same historical events.
History is messy. It's complicated. It doesn't fit neatly into the narratives we want to tell. Yasuke's story is a perfect example: he was there, but we don't know everything about him. He was important, but his exact role is unclear. He was a samurai, but maybe not in the traditional sense.
These ambiguities make some people uncomfortable. They want clear answers, definitive facts, unambiguous stories. But history doesn't work that way. It's full of gaps, contradictions, and things we don't know. And that's okay. In fact, that's what makes it interesting.
The Yasuke controversy will probably continue as long as people have opinions about video games, history, and representation. But maybe, just maybe, it will also lead to more people learning about this fascinating historical figure—and about the complexities of how we tell historical stories in the modern world.
Yes, absolutely. Yasuke was a real historical figure—an African man who served Oda Nobunaga in 16th-century Japan. Historical records from the period document his presence, his service to Nobunaga, and his role in significant events. He's not a fictional character created for diversity—he's a real person whose story has been largely overlooked until recently.
This is where it gets complicated. Yasuke was given a katana and served Oda Nobunaga in a military capacity, which suggests he functioned as a samurai. However, the samurai class was traditionally hereditary and tied to specific social structures. As a foreigner, Yasuke wouldn't have fit neatly into these structures. Most historians agree he was a samurai in function, if not in strict social classification.
The controversy stems from multiple factors: debates about historical accuracy, questions about cultural representation, concerns about Western developers telling Japanese historical stories, and some criticism based on "wokeness" accusations. However, since Yasuke was actually present in the historical period the game depicts, his inclusion is arguably more historically accurate than excluding him would be.
The historical record is limited. We know he arrived in Japan in 1579, likely from Mozambique or East Africa, as part of a Jesuit mission. We know he caught Nobunaga's attention and was taken into his service. We know he was present at the Honno-ji Incident in 1582. After Nobunaga's death, his fate becomes less clear—some accounts suggest he was captured and returned to the Jesuits, while others indicate he may have continued serving under one of Nobunaga's successors.
This is a complex question with no simple answer. Some argue that a French company telling Japanese historical stories is problematic, regardless of historical accuracy. Others point out that Yasuke's story deserves to be told, and that video games are a global medium. The key question is whether Ubisoft handles the story respectfully and accurately, not whether they should tell it at all.
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